Though extremely formulaic and barely structured into an actual plot, this film's ideas are undeniably rather interesting in concept, thus creating a degree of immediate intrigue that sticks with the film for a little bit, only to dissipate after a while, once you come to realize that this film is going very few places very slowly. Still, as poor as this film is, it's hard to deny some strengths, however limited they may be. I always figured that Pee-wee demon inside him somewhere, it's just that I didn't expect for him to turn out to be that demon, though, now that I think about, it does explain a lot, which is something that you can't say about this film, or at least this film's ending.
If nothing else, the song "Devil Inside" is less obnoxious than Suzan Crowley's Maria Rossi character, with all of her going around and talking about, "Connect the dots", which leaves me to think that she may not so much be possessed by Satan as much as she's possessed by Pee-wee Herman. Yeah, I'm not terribly crazy about that song, or INXS for that matter, but hey, at least "Devil Inside" is a better song than this is a film. "Look at them go, look at them kick, makes you wonder how the other half live the devil inside, the devil inside, every single one of us the devil inside!" Oh, come on, did you seriously think that I wasn't going to do that? That song reference is to me what found footage horror film cliches are to this film, I just couldn't had to do it. Rating: R (Grisly Images|Disturbing Violent Content|Language|Some Sexual References) With the help of two young exorcists (Simon Quarterman, Evan Helmuth), Isabella tries to cure Maria - and engages four demons in a battle for her mother's soul. Isabella travels to an Italian hospital for the criminally insane - where Maria is locked away - to find out whether her mother is mentally ill or demonically possessed.
Twenty years after Maria Rossi (Suzan Crowley) murdered three people, her daughter, Isabella (Fernanda Andrade), seeks the truth about that terrible night.
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